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The Marriage of Figaro by Mozart Dissertation Example

5 / 5. 1

Discipline:
Music
Chapter:
Conclusion
Level:
Bachelor's
Pages:
1
Words:
275
View Sample

Free The Marriage of Figaro by Mozart Dissertation Example

Music Composition of “The Marriage of Figaro” by Mozart Student's Name Institution Lohengrin, a Composition of the Marriage of Figaro (1786), by Mozart The composition starting point helps to have an understanding that the composers are not just creating the story out of nothing when they compose a new piece, but they are composing it out of a good understanding of the theory of music and also some past experiences from listening and studying (Juslin & Sloboda, 2001). This is to enable them to answer specific music questions or maybe what they would like to hear themselves. The device I used, in this case, was the CD. Listening to the Outline 0:00 1 Mozart, Lohengrin, Piano Concerto, Music makers, Soloist, pianist, Piano, trumpets 0: 13 2 Listen. Mozart wrote different concerts when composing Marriage of Figaro. 0: 25 3 Mozart developed a significant ability to create a dialogue between singers and music makers. 0:37 4 The composer eliminates clarinet and Oboes thereby creating darker-hued music that is special. 0: 57 5 Mozart embraces exchange of ideas from both large and small groups from an orchestra and therefore been animated in the particulars of a central portion of the first movement. 1:12 6 In general, the composition of music is significant as it helps to create logic which brings the ability of logical arguments. 1: 25 7 Rhetoric in music composition creates the ability to persuade. 1:38 8 Lohengrin, a composition of the Marriage of Figaro (1786), by Mozart Doing this assignment was an opener of how any listening of any music should be approached, the important elements to consider when analyzing music story are, but not limited to; music story, tools, trumpets, a contrast of tone color and dynamics. Therefore, this has completely changed the future approach of listening to music (Juslin & Sloboda, 2001). The first way to listening to...
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